Book covers are a part of my practice that incorporates design into my illustrations: conceptual type and composition are elements that I think can add significant meaning to images. I'm particularly interested in experimenting with the form of book covers and how they can create narrative  - I often use the spine to present a theme of the book. For 'Lincoln in the Bardo' this meant presenting the state of being between life and death through the spine, and for 'Life Isn't All Ha Ha Hee Hee' this space represented the idea of choice.